Sample Topics for Comparison Contrast Essays

Sample Topics for Comparison Contrast Essays In high school and college literature classes, one common type of writing assignment is the comparison and contrast essay. Identifying points of similarity and difference in two or more literary works encourages close reading and stimulates careful thought. To be effective, a comparison-contrast essay needs to be focused on particular methods, characters, and themes. These ten sample topics demonstrate different ways of achieving that focus in a critical essay. Short Fiction: The Cask of Amontillado and The Fall of the House of UsherAlthough The Cask of Amontillado and The Fall of the House of Usher rely on two notably different types of narrator (the first a mad murderer with a long memory, the second an outside observer who serves as the readers surrogate), both of these stories by Edgar Allan Poe rely on similar devices to create their effects of suspense and horror. Compare and contrast the story-telling methods employed in the two tales, with particular attention to point of view, setting, and diction.Short Fiction: Everyday Use and A Worn PathDiscuss how details of character, language, setting, and symbolism in the stories Everyday Use by Alice Walker and A Worn Path by Eudora Welty serve to characterize the mother (Mrs. Johnson) and the grandmother (Phoenix Jackson), noting points of similarity and difference between the two women.Short Fiction: The Lottery and The Summer PeopleAlthough the same fundamental conflict of tradition vers us change underlies both The Lottery and The Summer People, these two stories by Shirley Jackson offer some notably different observations about human weaknesses and fears. Compare and contrast the two stories, with particular attention to the ways Jackson dramatizes different themes in each. Be sure to include some discussion of the importance of setting, point of view, and character in each story. Poetry: To the Virgins and To His Coy MistressThe Latin phrase carpe diem is popularly translated as seize the day. Compare and contrast these two well-known poems written in the carpe diem tradition: Robert Herricks To the Virgins and Andrew Marvells To His Coy Mistress. Focus on the argumentative strategies and specific figurative devices (for example, simile, metaphor, hyperbole, and personification) employed by each speaker.Poetry: Poem for My Fathers Ghost, Steady as Any Ship My Father, and Nikki RosaA daughter investigates her feelings for her father (and, in the process, reveals something about herself) in each of these poems: Mary Olivers Poem for My Fathers Ghost, Doretta Cornells Steady as Any Ship My Father, and Nikki Giovannis Nikki Rosa. Analyze, compare, and contrast these three poems, noting how certain poetic devices (such as diction, repetition, metaphor, and simile) serve in each case to characterize the relationship (however ambivalent) between a daughter and her f ather. Drama: King Oedipus and Willy LomanDifferent as the two plays are, both Oedipus Rex by Sophocles and Death of a Salesman by Arthur Miller concern a characters efforts to discover some kind of truth about himself by examining events from the past. Analyze, compare, and contrast the difficult investigative and psychological journeys taken by King Oedipus and Willy Loman. Consider the extent to which each character accepts difficult truthsand also resists accepting them. Which character, do you think, is ultimately more successful in his journey of discoveryand why?Drama: Queen Jocasta, Linda Loman, and Amanda WingfieldCarefully examine, compare, and contrast the characterizations of any two of the following women: Jocasta in Oedipus Rex, Linda Loman in Death of a Salesman, and Amanda Wingfield in The Glass Menagerie by Tennessee Williams. Consider each womans relationship with the leading male character(s), and explain why you think each character is primarily active or passive (or bot h), supportive or destructive (or both), perceptive or self-deceived (or both). Such qualities are not mutually exclusive, of course, and may overlap. Be careful not to reduce these characters to simple-minded stereotypes; explore their complex natures. Drama: Foils in Oedipus Rex, Death of a Salesman, and The Glass MenagerieA foil is a character whose main function is to illuminate the qualities of another character (often the protagonist) through comparison and contrast. First, identify at least one foil character in each of the following works: Oedipus Rex, Death of a Salesman, and The Glass Menagerie. Next, explain why and how each of these characters may be viewed as a foil, and (most importantly) discuss how the foil character serves to illuminate certain qualities of another character.Drama: Conflicting Responsibilities in Oedipus Rex, Death of a Salesman, and The Glass MenagerieThe three plays Oedipus Rex, Death of a Salesman, and The Glass Menagerie all deal with the theme of conflicting responsibilitiestoward self, family, society, and the gods. Like most of us, King Oedipus, Willy Loman, and Tom Wingfield at times try to avoid fulfilling certain responsibilities; at other times, they may appear confused as to what their m ost important responsibilities should be. By the end of each play, this confusion may or may not be resolved. Discuss how the theme of conflicting responsibilities is dramatized and resolved (if it is resolved) in any two of the three plays, pointing out similarities and differences along the way. Drama and Short Fiction: Trifles and The ChrysanthemumsIn Susan Glaspells play Trifles and John Steinbecks short story The Chrysanthemums, discuss how setting (i.e., the stage set of the play, the fictional setting of the story) and symbolism contribute to our understanding of the conflicts experienced by the character of the wife in each work (Minnie and Elisa, respectively). Unify your essay by identifying points of similarity and difference in these two characters.

Definition and Examples of Abstract Nouns in English

Definition and Examples of Abstract Nouns in English In English grammar, an abstract noun  is a  noun or noun phrase  that names an idea, event, quality or concept - for example, courage, freedom, progress, love, patience, excellence and friendship.  An abstract noun names something that cant be physically touched. Contrast that with a  concrete noun. According to A Comprehensive Grammar of the English Language, abstract nouns are typically non-observable and nonmeasurable.†Ã‚  But, as James Hurford explains, the distinction between abstract nouns and  other common nouns is relatively unimportant, as far as grammar is concerned. (James Hurford, Grammar: A Students Guide. Cambridge University Press, 1994) Examples and Observations Love is an irresistible desire to be irresistibly desired.(Robert Frost)Her face, which was long and dark chocolate brown, had a thin sheet of sadness over it, as light but as permanent as the viewing gauze on a coffin.(Maya Angelou, I Know Why the Caged Bird Sings. Random House, 1969)Creativity requires the courage to let go of certainties.(Erich Fromm)Silence can be  a source of great strength.Men say they love independence in a woman, but they dont waste a second demolishing it brick by brick.(Candice Bergen, quoted by Catherine Breslin in The Mistress Condition. Dutton, 1976)When love is gone, theres always justice.And when justice is gone, theres always force.And when force is gone, theres always Mom.Hi, Mom!(Laurie Anderson, O Superman. 1981)Fear is the main source of superstition, and one of the main sources of cruelty. To conquer fear is the beginning of wisdom.(Bertrand Russell, An Outline of Intellectual Rubbish. Unpopular Essays. Simon Schuster Inc., 1950) More than any other time in history, mankind faces a crossroads. One path leads to despair and utter hopelessness. The other, to total extinction. Let us pray we have the wisdom to choose correctly.(Woody Allen, My Speech to the Graduates. The New York Times, 1979) The Nature of Abstract Nouns Abstract and concrete are usually defined together or in terms of each other. The abstract is that which exists only in our minds, that which we cannot know through our senses. It includes qualities, relationships, conditions, ideas, theories, states of being, fields of inquiry and the like. We cannot know a quality such as consistency directly through our senses; we can only see or hear about people acting in ways that we come to label consistent. (William Vande Kopple, Clear and Coherent Prose. Scott Foresman Co., 1989) Countable and Uncountable Abstract Nouns Although abstract nouns tend to be uncountable (courage, happiness, news, tennis, training), many are countable (an hour, a joke, a quantity). Others can be both, often with shifts of meaning from general to particular (great kindness/many kindnesses).(Tom McArthur, Abstract and Concrete. The Oxford Companion to the English Language. Oxford University Press, 1992) Inflection of Abstract Nouns [M]any abstract nouns are generally not inflected for number (lucks, nauseas) or they do not occur in the possessive (the commitments time). (M. Lynne Murphy and Anu Koskela, Key Terms in Semantics. Continuum, 2010) The Grammatical Unimportance of Abstract Nouns [R]ecognizing abstract nouns is relatively unimportant, as far as grammar is concerned. This is because there are few, if any, particular grammatical properties that affect just the set of abstract nouns. ... One suspects that the reason for the recurrent mention of abstract nouns is the clash between their (abstract) meanings and the traditional definition of a noun as the name of a person, place or thing. The existence of obvious nouns such as liberty, action, sin and time is a sore embarrassment to such a definition, and the pragmatic response has been to apply a distinctive label to the problematic words. (James R. Hurford, Grammar: A Students Guide. Cambridge University Press, 1994) The Lighter Side of Abstract Nouns It represents Discipline, said Mr. Etherege. ... And to the uninstructed mind, Uniformity. His abstract nouns were audibly furnished with capital letters. But the latter notion is fallacious.No doubt, said Fen. He perceived that this incipient homily required punctuation rather than argument.Fallacious, Mr. Etherege proceeded, because the attempt to produce Uniformity inevitably accentuates  Eccentricity. It makes Eccentricity, as it were, safe. (Bruce Montgomery [aka Edmund Crispin], Love Lies Bleeding. Vintage, 1948)